'UPS & DOWNS'
Violin bowing as gesture
From Gesture to Sound
An Introduction to the Projects and Case Studies
(V1) Mimetic Action
Telemann Don Quichotte
Rebel Les Caractéres de la danse
(V1a) 'Throwing gesture'
(V1b) 'Sword fighting'
(V2a) 'Graceful Lift'
(V2b) 'Energetic bounce'
(V1e) 'With heavy boots'
(V3) Poetic imagery
Vivaldi The Four seasons
Text materials V2
Text materials V1
Text materials V3
(V3a) 'Hindered movements'
V1aT1 Embodying the scale figure as throwing gesture
V1aT2 Placement of the scale figure in the metric structure
V1aT3 The 'mean' Gavotte
V1aT4 Comparison of Soundist and Gesturist approaches
V1aT5 The body in musical negotiations
V1aT6 While waiting for Sancho to fall
V2aT1 Embodying the Courante lift
V2aT2 Applying knowledge acquired in the dance workshops - my Beat-Box method
V2aT3 Dance terminology applied in violin playing
V2aT4 Kinetic relationship between Arsis and Thesis, and the three levels of metrical structure
(V3b) 'Lamenting gestures'
(V3c) 'Summer lightning'
(V3d) 'Vivaldi refurbished'
Rasmussen Le Quattro stagioni
(V2c) 'Lively flow'
(V2d) 'A veiled passion'
V1bT1 Embodying the eight note figure as a “sword attack”
V1bT2 The sixteenth notes “in the combat'
V1bT3 With a real sword in hand?
V1bT4 Constructing the intensity – dynamics vs. timing
V2cT1 Embodying the Menuet flow
V2cT2 The Menuet’s rhythmical twist
V2cT3 Dance movements in musical performance
V3dT1 The composer 'in my way'
V3dT2 Rasmussen's hindered movements in a summer heat
V3dT3 Cuckoo passage, or making it swing on paper
V3dT4 Lamenting in a canon
V3dT5 ‘Deprived of repose’, by the hand of the composer?